Rising up within the metropolis of Republic in southwestern Pennsylvania, Matthew Yokobosky would pay a go to to the world tailor most occasions quickly after school. “His title was Danny Mariotti, and I utilised to go and look at him sew,” he defined.

There have been the Trevallini sisters, whom he appreciated to look at growing jeweled flower preparations and wedding ceremony bouquets. “Oh, and Charlie Angeloni, the shoemaker,” he included with the remarkable recall that over the various years has served him completely.

“His reminiscence is sort of a great energy,” claimed Anne Pasternak, the director of the Brooklyn Museum, an individual in a skein of things that prompted her in 2018 to determine Mr. Yokobosky the museum’s senior curator of method and substance life-style.

His newest appointment marks a excessive challenge in a profession that has taken him from the Whitney Museum, the place for 12 a few years he was curator of movie and video clip (and moonlighted as a set and costume designer on the La MaMa experimental theater). In Brooklyn, he was director of exhibition type and design previous to assuming his current write-up.

“He’s a excellent creative,” Ms. Pasternak stated. “His eye is within the present, and he cares deeply in regards to the buyer working expertise, traits not sometimes packaged in a single curator.”

A cultural polymath, Mr. Yokobosky, 57, could maybe completely be between the rather more artistic and prolific museum curators you by no means ever have listened to of, praised — or bashed — for an aesthetic that veers from the extremely-rarefied to the baldly flamboyant.

Habitually, and comparatively anonymously, garbed in black-on-black, his grey-streaked hair slicked once more severely, he has developed a private type as small key and artfully manicured as his reveals are theatrical.

“Christian Dior: Designer of Goals,” between the museum’s most lavish exhibitions, is housed, blockbuster-fashion, within the museum’s Beaux-Arts Courtroom, the very first exhibition in 40 a number of years to be mounted in what sometimes serves as a rental room. (Will probably be the online web page of a cluster of gatherings marking the seventy fifth anniversary of the house of Dior on Feb. 12.)

The current, which skilled its inaugural exhibition in Paris in 2017, and was curated by the Dior scholar Florence Müller, has been retrofitted for an American viewers to focus on Christian Dior’s tenure in The usa, with groupings of minimal black apparel and different components from the couturier’s New York-centric label.

The exhibition is wealthy with unique creations by Dior and a pantheon of successors, which incorporates Yves Saint Laurent, John Galliano, Marc Bohan and Raf Simons. It ends in a viewer-welcoming gallery of Dior-draped stars: Princess Diana, Elizabeth Taylor and Rihanna, to title however a pair.

With its ground-to-ceiling reveals, video installations and hall-of-mirror results, it’s all razzle-dazzle, merely eclipsing “In The us,” the concurrent and relatively sedate show of American pattern on the Metropolitan Museum of Artwork.

As Zachary Woolfe, the classical songs editor of The New York Durations, wrote, “There’s something of a reversal of roles right here: the scrappy Brooklyn Museum internet hosting the glam behemoth, while the mighty Achieved strikes a sweeter, much more modest and (dare I say) underground pose.”

“Dior,” which closes on Feb. 20, is probably the most new in string of demonstrates Mr. Yokobosky has conceived or overseen — David Bowie, Pierre Cardin and Studio 54, amongst the much more memorable — that assure to identify Brooklyn’s vogue extravaganzas on aggressive footing with all these of the Met and elsewhere in metropolis.

No less than as wonderful, as he carried out a customer by the use of the show, is Mr. Yokobosky’s seemingly encyclopedic command of method arcana. Christian Dior, was extra entrepreneurial than most individuals imagined, he noticed, offering off-the rack suits and attire rather more than a ten years simply earlier than Pierre Cardin famously launched the notion of prepared-to-have on.

As wonderful, Mr. Yokobosky claimed, “was how elegantly Dior thought-about about issues.” He defined to of Magda, a shopper of the family, who all through lunch with the couturier within the Nineteen Fifties, lamented that she skilled misplaced an earring. No make a distinction. “I do know what to do,” Dior assured her. With that, he dashed off, returning with a leaf and pinning it to her lapel, a gesture the curator positioned spontaneous and witty.

He can, in his very personal method, swap on a dime. He was as gracious when a buyer mistook him for a museum guard as he was in encountering Beth DeWoody, the well-known artwork collector and philanthropist, who skilled stopped by to admire a Dior wasp-waist frock with a complete skirt, an iconic postwar silhouette that prompted the Harper’s Bazaar editor Carmel Snow to exclaim, “Expensive Christian, what a brand new appear you might have!”

The exhibit has drawn a roster of higher-profile vogue and display-earth web site guests, together with Katie Holmes, Anna Sui, Christy Turlington, Tim Gunn and Reese Witherspoon, many posing for selfies on Mr. Yokobosky’s Instagram. That system is indispensable, he defined. When the pandemic abruptly shut down the Studio 54 exhibition in early 2020, he turned to his feed, he defined, “to protect the flame alive.”

“Twenty a very long time in the past,” he reported, “a principal thought when mounting a exhibit was, ‘What occurs once you get exterior of the doorway, precisely the place would you like individuals to glimpse, what takes place after they swap near.’”

He nonetheless methods each job with an architect’s eye. He compares the experience to developing somewhat metropolis, web site guests meandering by means of a neighborhood of unfamiliar streets. Wherever would you like them to look?

As pressing a query now’s, “How does this look on social media?” Mr. Yokobosky claimed, incorporating that he aimed to make your entire of “Dior” “Instagrammable.”

These a technique has lent the museum’s type exhibitions a discernible edge in extra of equal fare on the Fulfilled, precisely the place pattern is, as sometimes as not, exhibited in a significantly congested basement room with restricted web accessibility. “It’s robust to think about {a photograph} there, and in the event you do get a shot, you cannot even ship it,” Mr. Yokobosky talked about coolly.

To some critics the show, with its beneficiant consider celebs and shows dedicated to Dior fragrances, appeared excessively promotional, conceived, as Mr. Woolfe prompt, to “burnish the model and shift merchandise.”

Mr. Yokobosky counters such barbs with serenity. A concentrate on movie star “type of comes with the territory,” he acknowledged. “If you’re heading to an art work exhibition, you might be looking out to see who the mortgage suppliers are, who owns this or that portray. As a method curator, you are able to do a strictly instructional exhibition constructed on the do the job of historians and students, or you possibly can produce a bridge to a broader normal public.”

He methods his private on a regular basis residing as calmly. In the course of an early 12-calendar 12 months partnership with a psychoanalyst, he expended 4 occasions a 7 days on an analyst’s couch. With a subsequent affiliate, he underwent a number of months of companions remedy. “These occasions have been bumpy,” he recalled. “My mind was so exercised.”

His present-day reference to a neurologist has launched him a level of tranquillity, as has an reliable general well being regime. “On the finish of a working day, an hour on the elliptical gear clears my mind,” he acknowledged.

However a train, however arduous, has accomplished tiny to blunt an ambition that may properly be bred within the bone. “I used to be all the time academically aggressive, he talked about. “I wanted the straight A’s. I most well-liked the right ranking. I most well-liked that award.

“As shortly as ‘Dior,’ opened, I immediately set on my masks and ran about to Met,” he recalled. “I needed to see what was doubtless on.”

He’s impelled, he would argue, by requirement. “I actually really feel like individuals who purchase a ticket to ‘Dior’ may buy a ticket to a movie, a museum or sporting celebration for the very same price ticket,” he reported. “They’re questioning, ‘What selection am I heading to find time for this week?’ As a curator, it’s a must to really feel: ‘How am I going to make mine probably the most interesting?’”